In the two-part photographic panorama SPLIT HORIZON, Matiasek deliberately stages the blind spot in panoramic composition. (...) By continually displacing the sovereign, auctorial vantage point, the artist not only achieves the dissipation of any consumerist pleasure in the images into emptiness, she also reveals the panorama as an ideologically encoded ordering of the visible.

David Komary, 2011

photos © Stefan Lux/ Galerie Stadtpark Krems